Contents

The Ragamalikas of Subbarama Dikshitar

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சில தமிழ்ப்பாடல்கள்

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Ramashtapadi – Shrirama tubhyam – Bilahari

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Ramatarangam of Shrimad Upanishad Brahmendra Yogi

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Text and PDF of Ramashtapadi of Shri Upanishad Brahmendra Yogi

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The Rama Taranga-s and Rama Ashtapadi-s of Upanishad Brahmam

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Shri Tyagaraja Mahatmyam

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“sarasAlanu” – The Long Forgotten Oeuvre of Ponnayya of The Tanjore Quartet

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Sri Rama Pattabhisheka, as envisioned by Tyagaraja Svamigal

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தென்னிந்தியாவில் எனது சங்கீத யாத்திரை – Translation of Pt. Bhatkande’s Travelogue

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Inimitable Raganga-s – Stavaraja

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Sri Guruguha Navaratnamalika

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Sri Tyagarajaya mangalam

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mAra kOti kOti lAvanya- Arabhi – Obeisance to Lord Shiva

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“vadAnyEsvaram bhajEham” – A Critical Appraisal

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hastivadanaya-namastubhyam-an-aigrette-in-navaroj

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Intriguing ragas – Gopikavasanta

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Colourful Bhashanga-s – Rudrapriya III

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The Haunting Raga Kusumakara

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Apurva raga-s handled by Tyagaraja Svamigal – Karnataka Kamas

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Short Notes:Cittasvaras

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The Extinct Malavasri

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A Critical Appreciation of the raga Jujavanti and ‘ceta srI bAlakrishnam’

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Caturanana Pandita I – A Courtier-General & a Pontiff

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Intriguing raga-s – Kamas

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Apurva raga-s handled by Tyagaraja Svamigal – Phalaranjani

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The Gold Coin or "Phanam" , the currency issued during the times of King Serfoji I ( Regnal year 1712-1728 AD) who rued after King Sahaji and before King Tulaja I , embossed with a mythical "Sharabha" being part lion and part bird on one side and the "Sri Sarabhaja" in Nagari on the other side.

Anubandha to the Caturdandi Prakashika – A Monograph

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Sarasvati Manohari – A Conundrum?

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The Kurinji of the Sangita Sampradaya Pradarshini

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“Svarakalanidhi” Narayanasvami Iyer – A titan from an age bygone

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“Balambike Pahi” – Manoranjani

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O Mother! Embodiment of Auspiciousness! May there be prosperity

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The Alluring Bhogachayanata

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The mysterious ‘nagumomu ganaleni’ of Tyagaraja Svamigaḷ

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Intriguing raga-s – Balahamsa

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Kshetrayya: A figment of imagination?

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Ramaswamy Deekshithar – A ‘dvimudra’ vaggeyakara ?

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The birth of Sangita Sampradaya Pradarshini

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Colorful Bhashanga-s – Rudrapriya – Part II

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Kapi – A Raga of Myriad Hues

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‘tyAgarAjEna samrakshitOhaM’ in Salagabhairavi – A Critical Appreciation

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Tyagaraja Aradhana 1985- Courtesy ' The Hindu'

Sukhi Evvaro – Kanada – An Evergreen Classic

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Tyagaraja Mahadvajaroha – The Magnum Opus in Sriraga

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Colorful Bhasanga-s – Rudrapriya – Part I

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The Mystical Rudrapriya of the Sangita Sampradaya Pradarshini

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Colorful Bhashanga-s

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“kāśīviśveśvara ehi mām pāhi’ – The forgotten magnum opus in Kāmbhoji

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Nirupana-s of Sri Muddusvamy Diksitar

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The ragam Ramakali and the krti “Rama rama kali kalusa”- Part II

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The ragam Ramakali and the krti “Rama rama kali kalusa”- Part I

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Some reflections on Raga Narayanagaula and its allied ragas

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Manuscripts in the possession of Sivakumar, a descendant of Tanjavur Quartette

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Nishumbasudani……. Mystery from the medieval Chola times!

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Udayarkudi Inscription – An In-depth Assessment ( Translated article)

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Melody of the Serpents – Nagadhvani

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Obeisance to Lord Krishna – A Brief Blogpost

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O Goddess mInAkshI ! Princess of Kerala!

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Raga Malavi – A Misnomer?

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Apurva raga-s handled by Tyagaraja Svamigal – Svarabhusani

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A note on the sāhitya of Vātāpigaṇapatim

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The Quest for the true melodic contours of Tyagaraja’s “varadarAja ninnEkOri”

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mahAganapatim vandE in Todi – The Syamantaka Gem

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Raga Architecture of the 18th Century – Part 1

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Samanta – The Raga lost in the wilderness of time

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The Melodic setting of ‘svAminAtha paripAlayAsumAm’ of Muthusvami Dikshitar

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Kannada Bangala & Malahari – The Conjoined Twins

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Sahana – The bejewelled tiara of our music

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Obeisance to a Holy Benefactor

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Natanarayani – A melody lost in the forest of time

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Gamakakriya – The contribution of a Guru Sreshta

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The true identity of the raga of Tyagaraja’s ‘nannu kanna talli’

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A Puzzle about the Raga Gopikavasanta

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Ghanta – A raga from an other era

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A Musical Obeisance to the Goddess of Learning

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Narayanagaula– A hoary raga from a distant past

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‘sAmajagamana’ – An ode to a banished Tanjore King

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Kallidaikurichi Mahadeva Bhagavatar

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T.Viswa – A Tribute

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Vedanta Bhagavatar

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Tiruppamburam Swaminatha Pillai

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Tiruppamburam Natarajasundaram Pillai

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A.Anantarama Iyer – Profile

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A.Anantakrishna Iyer – Profile

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Dr.V.V.Srivatsa

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B.Rajam Iyer

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Anandarama Udupa

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Viribhoni and The musical canvas of Bhairavi

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Ragachudamani – A Crest Jewel amongst ragas

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A Tribute to a Munificent Benefactor

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Hindolavasantam – The sprightly blossom from the Royal Gardens of Tanjore

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Tana Varna Margadarshi Adiyappayya

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Tarangini – The story of a Quaint Beauty

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Yamuna Kalyani–A Journey Back in Time-Part III

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Yamuna Kalyani–A Journey Back in Time-Part II

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Royal Patron –Bhaskara Setupathi, the Raja of Ramanathapuram

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Yamuna Kalyani–A Journey Back in Time-Part I

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The Mystery about Kambhoji -Part 2

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The Mystery about Kambhoji -Part 1

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Pallavi Gopala Iyer – A Sequel

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Pallavi Gopala Iyer

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Kallidaikurichi Vedanta Bhagavatar

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K V Ramachandran : The Man who discovered Sangraha Cudamani – Contd – Ravi Rajagopalan

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K V Ramachandran : The Man who discovered Sangraha Cudamani

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Raga Lakshana – Madhavamanohari

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Andhali – An Enigma

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Raga Lakshana – Vamsavati – A Sequel

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Raga Lakshana – Vamsavati

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Tiruvarur Ramaswami Pillai

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Tiruppamburam Swaminatha Pillai

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