We get to know the structure of many rāga-s only through Saṅgīta Sampradāya Pradarṣini of Subbarāma Dīkṣitar. This text has both musical and musicological importance,
We have seen about the rāga Rudrapriyā, its gṛha, amsa, nyāsa svarā-s and salient phrases in the two earlier posts. It was established that Rudrapriyā
[simple-author-box] Śri Muddusvāmy Dīkṣitar, a well-known composer of 18 th century is credited with around 230 compositions in the treatise Saṅgīta Saṃpradāya Pradarśini,
[simple-author-box] Tanjāvūr during 16-19 CE saw an influx of exotic rāgā-s from North and the other parts of this country. The rāgā-s which had their
[simple-author-box] Our music was propagated by two routes – oral and textual. Though we have a textual history of approximately 150 years recording the compositions