We have seen about the rāga Rudrapriyā, its gṛha, amsa, nyāsa svarā-s and salient phrases in the two earlier posts. It was established that Rudrapriyā
The rāga Rudrapriyā is mentioned twice by Subbarāma Dīkṣitar in his treatise Saṅgīta Sampradāya Pradarśini; once under the rāgāṅga rāga Śri rāgaṃ and second time
The colourful nature of the bhāṣāṅga rāga-s, their ability to be used flexibly according to the intent of a composer were explained in an introductory
[simple-author-box] Preamble: This raga Rudrapriya as listed in the Sangeetha Sampradaya Pradarshini (“SSP”) which we take up in this blog post along with the compositions