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गुरुगुहाय नमः 
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Preamble: This raga Rudrapriya as listed in the Sangeetha Sampradaya Pradarshini (“SSP”) which we take up in this blog post ...
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The term ‘bhāṣāṅga’ connoted different meaning at different point of time in the history of Karnāṭaka Music. During the period ...
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Prologue: The raga Kāmbhoji needs no introduction to a discerning listener of our music. In it, is a composition of ...
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Śri Muddusvāmy Dīkṣitar, a well-known composer of 18 th century is credited with around 230 compositions in the treatise Saṅgīta ...
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Let us go to the next segment in this series, on the authority of using prati madhyamam in this rāgam, being a ...
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Tanjāvūr during 16-19 CE saw an influx of exotic rāgā-s from North and the other parts of this country. The ...
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INTRODUCTION: We did see the detailed analysis of Narayanagaula in our earlier blog post. Now in this short  blog post ...
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Our music was propagated by two routes – oral and textual. Though we have a textual history of approximately 150 ...
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