Articles – Arvindh Ranganathan

Colorful Bhashanga-s – Rudrapriya – Part II

The rāga Rudrapriyā is mentioned twice by Subbarāma Dīkṣitar in his treatise Saṅgīta Sampradāya Pradarśini; once under the rāgāṅga rāga ...
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Colorful Bhasanga-s – Rudrapriya – Part I

The colourful nature of the bhāṣāṅga rāga-s, their ability to be used flexibly according to the intent of a composer ...
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Colorful Bhashanga-s

The term ‘bhāṣāṅga’ connoted different meaning at different point of time in the history of Karnāṭaka Music. During the period ...
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Nirupana-s of Sri Muddusvamy Diksitar

Śri Muddusvāmy Dīkṣitar, a well-known composer of 18 th century is credited with around 230 compositions in the treatise Saṅgīta ...
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The ragam Ramakali and the krti “Rama rama kali kalusa”- Part II

Let us go to the next segment in this series, on the authority of using prati madhyamam in this rāgam, being a ...
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