Introduction:
Patrons have played a very great part in our past in fostering Carnatic Music. Composers and musicians have been sustained, patronized & honored by both the Royals as well as the aristocratic/business magnates of the last few centuries. They were one of the essential components of the musical ecosystem of India. Given the social milieu [...]

Since the post I made on Pallavi Gopala Iyer,  I came across a couple of more points which I thought should form part of the original post. I am adding this short post as a sequel to my original one here.
WHO WAS PALLAVI GOPALA IYER?
Per Prof Sambamoorthy and Dr B M Sundaram as well, [...]

INTRODUCTION:
Pallavi Gopala Iyer is one of the composers from the pre-trinity period who adorned the Tanjore Court and was a vaggeyakara par excellence, in his own right. We do have accounts of him from Subbarama Dikshitar and also from manuscripts and references in the Sarasvathi Mahal Library of Tanjore and from Prof Sambamoorthy. Subbarama Dikshitar [...]

Read Part I of this post here..
The following is a list of articles and lecture demonstrations that KVR did during his life time:
List of his articles/publications:

Ramachandran K.V. (1938) - “The Melakarta - A Critique” - The Journal of the Music Academy IX, pp. 31-33, Madras, India.
Ramachandran K.V. (1946) - “Gopala Nayaka” - The Journal of [...]

INTRODUCTION:
K V Ramachandran (1898-1956) or KVR for short, was truly a colossus. His knowledge and contribution spanned the entire range of Indian fine arts including dance, music and literature. He was a feared critic of his days, a connoisseur of chaste music and a well-read man. My introduction to his name first, was via two [...]